This year will mark the 15th anniversary of "Titanic," and this month makes it 100 years since the Titanic sank on April 15, 1912. To celebrate -- or at least commemorate -- these anniversaries, the 1997 film is being reissued to theaters in, you guessed it, 3-D. It opens on Wednesday.
Now I haven't seen the 3-D version, and I can't say I really want to, considering that most 3-D conversions look dark and odd; nor does "Titanic" particularly need to be in 3-D. Aside from the spectacular shots of the ship's sinking, just about everything good about the movie takes place in a close two-shot between Leonardo DiCaprio and Kate Winslet. But who knows? It might look fine, and even if it doesn't, people who love the movie -- and there are lots of them -- might enjoy seeing it in a slightly new way.
In any case, this seemed like a good time to revisit the picture, and so I did, for the first time since 1997. In general, I found that some things about "Titanic" got worse with the years and some got better, but -- here's the good news -- the things that got worse got only slightly worse, and the things that got better got a lot better.
So here are 13 points to look for the next time you watch "Titanic."
1. The annoying absence of "the": Yes, the ship was called "Titanic," but nobody has ever called it anything but "the Titanic," for the simple reason that using an adjective as a noun without "the" just strikes the ear as odd. But in the film, a memo must have went out, because nobody but nobody says the "the." It's an affectation that calls attention to itself.
2. Check out the guy with the beard and exposition: In the film's opening, set in modern times, actor Lewis Abernathy is given the brutal task of having to spout all the exposition in James Cameron's often-awkward script. He survives as well as anyone could.
3. Speaking of the script: Cameron is a frustrating writer, in that he neither can be dismissed nor endorsed. He comes up with moments that are perfectly lovely, and then in other places, his script clunks. The first meeting of Rose (Winslet) and Jack (DiCaprio) is weak and cliched, and whenever we join them mid-conversation, it never feels like mid-conversation, but like some awkward simulation. He also can't resist moments of too-obvious irony, as when Rose's evil fiance (Billy Zane) says, "Picasso -- he won't amount to a thing."
4. But wait, what happened to those paintings? Rose has a Monet and a Picasso. They look familiar. But how did they survive? Did they float?
5. The much-maligned love theme: Celine Dion's rendition of "My Heart Will Go On" was heard so often in the late '90s that it quickly became the stuff of parody. In fact, the theme music is used beautifully throughout. It's a real asset to the picture.
6. If you want to see a sinking ship, see something else: See "A Night to Remember." This is not a movie about the Titanic. This is a love story set on the Titanic. If you don't get into the love story, you will hate the movie. So pay attention to the love story and stop waiting for the iceberg. It's a long wait.
7. DiCaprio is the whole movie: And if you want to get into the love story, DiCaprio is your way in. I failed to appreciate him in 1997, but he is wonderful here -- charming and self-assured, with many very fine moments.
8. Actually, it's a little like "Twilight," but not ridiculous: Winslet went on to become a beautiful and glamorous woman, so it's hard to remember that here, in her early 20s, her looks were unremarkable, and the real beauty was DiCaprio. As in "Twilight," you have the spectacle of an impossibly handsome heartthrob devoting himself to (and rescuing) an average pretty girl -- and telling her how awesome she is: "Rose, you're no picnic. You're a spoiled little brat, even. But under that, you're the most amazingly astounding girl -- woman -- in the world."
Also, like "Twilight," this becomes the story of a girl's first sexual experience, and he is attentive and considerate of that fact. "Nervous?" he asks, when they get together in the backseat of a car. No wonder girls went back and saw this movie 50 times.
"Titanic" is also like one of those youth movies where everything that can possibly happen happens on one amazing night.
9. Beautiful stuff here: Once the movie gets beyond the awkward first meetings between Rose and Jack, their scenes improve, and they're the best things in the movie. Cutting from them in the car to an overhead shot of the ship speeding toward its doom was inspired. When Cameron cuts back to the lovers, he gives us the single best shot in the film. We see the car from the outside -- and Winslet's hand suddenly presses against the glass. That's all we see. It's one of the subtlest presentations of an orgasm ever onscreen. It makes you wonder about a director who can do things this sparing, sophisticated and lovely and other things so ham-fisted -- in the same film. That's life. You take the good with the bad.
10. Keep watching Leo: Two good moments,